DRAMA AND DRAMATIC THEORY
- “Nonfictional Drama: Autobiography in Performance.” Factual and Fictional Narration II: Diachronic and Intermedial Perspectives/ Faktuales und fiktionales Erzählen II: Diachrone und intermediale Perspektiven, edited by Hanna Häger, Julian Menninger, and Dustin Breitenwischer, Ergon Verlag, 2020, pp. 105-118.
- “The Status of Historical Characters in Drama: Ontological, Aesthetic, Verisimilar.” Letras de Hoje, vol. 52, no. 2, 2017, pp. 110-114. http://revistaseletronicas.pucrs.br/ojs/index.php/fale/issue/view/1182
- “Endings in Drama and Performance: A Theoretical Model.” Current Trends in Narratology, edited by Greta Olsen, De Gruyter, 2011, pp. 181-199.
- “Native American Drama.” Facts on File Companion to American Drama, edited by Jackson R. Bryer and Mary Hartig, Facts on File, 2004, pp. 340-341; revised 2009.
- “Plot after Postmodernism.” Drama and/after Postmodernism. Contemporary Drama in English, vol. 14, edited by Christoph Henke and Martin Middeke, WVT, 2007, pp. 55-67.
- “Narrative Theory and Drama.” Cambridge Companion to Narrative Theory, edited by David Herman, Cambridge UP, 2006, pp. 141-155.
- “Is That Really Einstein? The Ontological Status of Historical Characters in Drama.” Digital Video Conference Proceedings, 2005.
- “Native American Drama.” Facts on File Companion to American Drama, edited by Jackson R. Bryer and Mary Hartig, Facts on File, 2004, pp. 340-341.
- “Voice and Narration in Postmodern Drama.” New Literary History, vol. 32, 2001, pp. 681-694.
- Performance Review: Samuel Beckett Festival [10 plays], Scena Theater, Washington DC, April 1999. The Beckett Circle, vol. 21, 1999, pp. 1-2.
- “Theatrical Space and the Domain of Endgame.” The Journal of Dramatic Theory and Criticism, vol. 14, no. 2, 2000, pp. 14-22.
- “Beyond Poststructuralism: Theory of Character, the Personae of Modern Drama, and the Antinomies of Critical Theory.” Modern Drama, vol. 40, 1997, pp. 86-99.
- Discussion of fate, determinism, and chance in the plays of Sophocles, Shakespeare, Calderon, Tewfik al-Hakim, Ionesco, Pinter, Stoppard, and Soyinka in Unlikely Stories: Causality and the Nature of Modern Narrative, 157-181.
- “Genre, Transgression, and the Struggle for (Self) Representation in U.S. Ethnic Drama.” The Journal of American Drama and Theatre, vol. 9, 1996, pp. 1-18.
- “The Struggle for the Real: Interpretive Conflict, Dramatic Method, and the Paradox of Realism.” Introduction. Realism and the American Dramatic Tradition, edited by William Demastes, U of Alabama P, 1996, pp. 1-17.
- Review of Old Times, Washington Stage Guild, November 20, 1994. The Pinter Review, 1995-1996, pp. 184-185.
- Review of The Caretaker, Studio Theatre (Washington D.C.), September 12, 1993. The Pinter Review, 1994, pp. 109-110.
- “Pinter's Landscape and the Boundaries of Narrative.” Essays in Literature, vol. 18, 1991, pp. 37-45.
- “The Great God Brown and the Theory of Character.” The Eugene O'Neill Review, vol. 14, 1990, pp. 16-24.
- “‘Hours Dreadful and Things Strange’: Inversions of Chronology and Causality in Macbeth." Philological Quarterly, vol. 68, 1989, pp. 283-294.
- “Point of View in Drama: Diegetic Monologue, Unreliable Narrators, and the Author's Voice on Stage.” Comparative Drama, vol. 22, 1988, pp. 193-214.
- “‘Time is Out of Joint’: Narrative Models and the Temporality of the Drama.” Poetics Today, vol. 8, 1987, pp. 299-309.