BECKETT
- Discussion of “Ping” as borderline narrative in Unnatural Narrative: Theory, History, and Practice, 53-55.
- “Theory of Narrative Beginnings and the Beginnings of ‘The Dead’ and Molloy.” in Narrative Beginnings: Theories and Practices, edited by Brian Richardson, U of Nebraska P, 2008, pp. 113-26. Reprinted in A Poetics of Plot for the Twenty-first Century, 53-57.
- “Plot after Postmodernism.” Drama and/after Postmodernism. Contemporary Drama in English, vol. 14, edited by Christoph Henke and Martin Middeke, WVT, 2007, pp. 55-67. Discusses the ending of Endgame.
- Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction, Ohio State UP, 2006. Discusses Beckett throughout as the exemplary anti-mimetic constructor and conflator of voices. Extended discussion of The Unnamable and ‘Worstward Ho.’”
- “Voice and Narration in Postmodern Drama.” New Literary History, vol. 32, 2001, pp. 681-94. Includes discussion of “Not I” and other later plays of Beckett.
- “Denarration in Fiction: Erasing the Story in Beckett and Others.” Narrative, vol. 9, no. 2, 2001, pp. 168-175. Discusses Molloy and “Worstward Ho.”
- Performance Review: Samuel Beckett Festival [10 plays], Scena Theater, Washington DC, April 1999. The Beckett Circle vol. 21, 1999, pp. 1-2.
- “Theatrical Space and the Domain of Endgame.” The Journal of Dramatic Theory and Criticism, vol.14, no. 2, 2000, pp. 14-22.
- “Molloy and the Limits of Causality: Ontological Skepticism, Narrative Transgression, and Metafictional Paradox.” in Unlikely Stories: Causality and the Nature of Modern Narrative, 128-138.